From the start, Tudor is depicted with a sense of estrangement: through the veil, out of focus, partly hidden behind another person.
Berlinale, Festivals, Shorts
‘My Uncle Tudor’, Berlinale review: The illusion of Consent
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Berlinale, Festivals, Shorts
Review: Young Hearts (2021)
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One thing is certain: no one in their right mind would ever want to go back to their teen years and live through them again.
Berlinale, Experimental Films, Festivals, GSFF (Glasgow Short Film Festival), Shorts
Review: One Thousand and One Attempts to Be an Ocean (2021)
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Wang’s directing, essentially composed of editing short clips together in the rhythmical fashion, is apt for a piece of video-art
Berlinale, Documentaries, Festivals, Shorts
Review: Strange Object (2021)
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Miranda Pennell’s short documentary Strange Object, which premiered recently at Berlinale Shorts, is deliberately constructed that way so the viewer has to walk the same route of exploration as the filmmaker did previously
Berlinale, Festivals, Shorts
Review: Vadim on a Walk (2021)
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We meet our titular protagonist while he’s sitting in a transparent square space, picking up the courage to step out of it and explore the unknown world that lays in front of his eyes.
Berlinale, Festivals, Shorts
Motorcyclist’s Happiness Won’t Fit Into His Suit (2021)
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In his Berlinale Shorts contender Motorcyclist’s Happiness Won’t Fit Into His Suit, Gabriel Herrera paints a nonconformist picture of the Spanish conquest of Indigenous lands, set in modern context
Berlinale, Documentaries, Festivals
Review: A Cop Movie (2021)
by bericht •
The play with different styles and formats of footage shot by the newcomer Emiliano Villanueva are coded in a clever, not too obvious manner, while Asuad’s award-winning editing is a thing to marvel.
Berlinale, Festivals, Shorts
Review: Glittering Barbieblood (2021)
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We are supposed to “paint-by-numbers” according to Ulu Braun, but how that’s another thing.
Berlinale, Documentaries, Festivals, Shorts
Review: One Hundred Steps (2021)
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Bob Quinn’s work ‘Atlantean’ is the starting point of Bárbara Wagner’s and Benjamin de Burca’s eighth joined short film ‘One Hundred Steps’ and is also referenced directly in it at one point
Reflections
Reflections 15: “This is my story, this is my song, praise in my saviour…”
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I am as interested in the work as I am in its affect: Allah is not making films for casual consumption, nor is he modest about who and what he is presenting.
