The short documentary by Giulia Candussi has nothing to do with the Stevenson’s legacy. She is following a new candidate for the community Gill on her trial period to joing the chosen
Gun crime and its consequences are the subject of When Claude Got Shot, a brilliantly wide-ranging and nuanced examination of a topic that all too often lives in black and white simplicities.
Using tapes of the FBIs initial conversation with Winner as well as access to her family and experts in the field, Kennebeck’s film is a forcefully constructed argument and a reclaiming of a character from the public space.
History is made not only by what we record but how we record it. From Goya’s War Sketches to the mobile phone footage of George Floyd’s murder, the medium can – to quote Marshall McLuhan – be the message.
Miranda Pennell’s short documentary Strange Object, which premiered recently at Berlinale Shorts, is deliberately constructed that way so the viewer has to walk the same route of exploration as the filmmaker did previously
We meet our titular protagonist while he’s sitting in a transparent square space, picking up the courage to step out of it and explore the unknown world that lays in front of his eyes.