Truong Minh Quy’s Berlinale Shorts contender The Men Who Wait is a film about men seeking sexual contact on a slag heap that once belonged to a coal mine.
Wallace Stevens’ poem Thirteen Ways of Looking at a Blackbird is being read integrally, in English, at the beginning of Ana Vaz’ newest experimental film-essay of the same title
The conversation about love and happiness between mother and daughter, 1st and 2nd generation Chinese immigrants in the US, is at the centre of Livia Huang’s short film More Happiness that premieres at the Berlinale Shorts competition.